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THE HIPPO AT THE END OF THE HALL

Unusual, fascinating, fast-paced.

A young boy tries to preserve a mysterious natural history museum.

Ben Makepeace has lived with his single mom in a basement apartment since his dad was lost at sea when Ben was 3. Receiving a cryptic invitation to “come now or come never” to the Gee Museum, Ben ignores his mother’s advice and bikes to the museum, which he finds closed. In a nearby cafe, Ben overhears Julian Pike, an unscrupulous real estate developer, and Tara Snow, a predatory museum director, plotting to ruin the Gee if its elderly owner refuses to sell to them. Returning to the Gee, Ben senses he’s been there before with his father and learns from exhibit animals—a shrew, a hippo, an owl, and a chameleon—how his future depends on preventing the Gee’s sale. When Pike and Snow take desperate measures, Ben unleashes dangerous “wild magic” within the museum and discovers his immutable connection to the Gee family. This supernatural tale of self-discovery in a setting of rare natural history specimens delivers a credible hero, folktale threads, memorable characters, and family bonds. Cooper’s worldbuilding seems endlessly inventive, the characters that inhabit the museum fully realized, up to and including the storytelling bees. Delicate, detailed pencil drawings track the drama and depict the principals as white.

Unusual, fascinating, fast-paced. (author’s note) (Fantasy. 8-10)

Pub Date: Oct. 8, 2019

ISBN: 978-1-5362-0448-3

Page Count: 352

Publisher: Candlewick

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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CAPTAIN UNDERPANTS AND THE TYRANNICAL RETALIATION OF THE TURBO TOILET 2000

From the Captain Underpants series , Vol. 11

Dizzyingly silly.

The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.

Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.

Dizzyingly silly. (Humor. 8-10)

Pub Date: Aug. 26, 2014

ISBN: 978-0-545-50490-4

Page Count: 224

Publisher: Scholastic

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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