THE HIPPO AT THE END OF THE HALL

A young boy tries to preserve a mysterious natural history museum.

Ben Makepeace has lived with his single mom in a basement apartment since his dad was lost at sea when Ben was 3. Receiving a cryptic invitation to “come now or come never” to the Gee Museum, Ben ignores his mother’s advice and bikes to the museum, which he finds closed. In a nearby cafe, Ben overhears Julian Pike, an unscrupulous real estate developer, and Tara Snow, a predatory museum director, plotting to ruin the Gee if its elderly owner refuses to sell to them. Returning to the Gee, Ben senses he’s been there before with his father and learns from exhibit animals—a shrew, a hippo, an owl, and a chameleon—how his future depends on preventing the Gee’s sale. When Pike and Snow take desperate measures, Ben unleashes dangerous “wild magic” within the museum and discovers his immutable connection to the Gee family. This supernatural tale of self-discovery in a setting of rare natural history specimens delivers a credible hero, folktale threads, memorable characters, and family bonds. Cooper’s worldbuilding seems endlessly inventive, the characters that inhabit the museum fully realized, up to and including the storytelling bees. Delicate, detailed pencil drawings track the drama and depict the principals as white.

Unusual, fascinating, fast-paced.