bookshelf

ALL HE KNEW

Name: ALL HE KNEW
Author: Helen Frost
ISBN: 978-0-374-31299-2

by Helen Frost ‧ RELEASE DATE: Aug. 11, 2020

An engaging, emotional read that tells an important story—with caveats.

bookshelf

A young deaf boy faces the horror of institutionalization in the late 1930s and ’40s. This verse novel tells the story of Henry, who is born hearing and becomes deaf due to a fever at age 4. The school for the deaf erroneously labels him “unteachable,” and he is sent to an institution for the “feebleminded,” where the children face abuse and neglect. Henry’s story merges with that of Victor, a conscientious objector who works at the institution. Frost depicts one grim reality of deaf/Deaf life in mid-20th-century America in a way that is approachable for readers as she explores the rarely discussed story of conscientious objectors in World War II. The story is told in discrete poems, creating an episodic narrative that highlights poignant moments and delves into characters’ thoughts. All the characters are presumed white. However artful, the book is not without flaws. Characters repeatedly suggest that Henry’s institutionalization is particularly unjust because he is “smart,” an implicit comment on intellectual disabilities that is not adequately explored. The author’s note detracts from the story itself, raising questions that wouldn’t need to be asked otherwise, such as why the author gave Henry the ability to speak when the man he is based on could not. A sequence of poems by the author’s mother-in-law that inspired the novel are included and contain an outdated portrayal of disability that is presented without context or commentary for readers. An engaging, emotional read that tells an important story—with caveats. (notes on form and characters, acknowledgements) (Verse historical fiction. 10-14)

Pub Date: Aug. 11, 2020

ISBN: 978-0-374-31299-2

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 16, 2020

Kirkus Reviews Issue: June 1, 2020

Categories:

CHILDREN'S HISTORICAL FICTION | CHILDREN'S POETRY

- BOOK REVIEW
THE MIGHTY POLLINATORS
by Helen Frost ; photographed by Rick Lieder

- BOOK REVIEW
WAIT—AND SEE
by Helen Frost ; illustrated by Rick Lieder

- BOOK REVIEW
BLUE DAISY
by Helen Frost ; illustrated by Rob Shepperson

bookshelf

Awards & Accolades

Likes

24

Our Verdict

GET IT

Google Rating

Kirkus Reviews'
Best Books Of 2017

New York Times Bestseller

Sydney Taylor Book Award Winner

REFUGEE

by Alan Gratz ‧ RELEASE DATE: July 25, 2017

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

bookshelf

Awards & Accolades

Likes

24

Our Verdict

GET IT

Google Rating

Kirkus Reviews'
Best Books Of 2017

New York Times Bestseller

Sydney Taylor Book Award Winner

In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION | CHILDREN'S SOCIAL THEMES | CHILDREN'S HISTORICAL FICTION

- BOOK REVIEW
RESIST
by Alan Gratz

- BOOK REVIEW
HEROES
by Alan Gratz ; illustrated by Judit Tondora

- BOOK REVIEW
CAPTAIN AMERICA
by Alan Gratz ; illustrated by Brent Schoonover

- PROFILES
Alan Gratz

bookshelf

WESTFALLEN

From the Westfallen series , Vol. 1

by Ann Brashares & Ben Brashares ‧ RELEASE DATE: Sept. 17, 2024

Compulsively readable; morally uncomfortable.

bookshelf

Six New Jersey 12-year-olds separated by decades race to ensure the “good guys” win World War II in this middle-grade work by the author of The Sisterhood of the Traveling Pants and her brother, a children's author and journalist.

It all starts with a ham radio that Alice, Lawrence, and Artie fool around with in 1944 and Henry, Frances, and Lukas find in 2023. It’s late April, and the 1944 kids worry about loved ones in combat, while the 2023 kids study the war in school. When, impossibly, the radio allows the kids to communicate across time, it doesn’t take long before they share information that changes history. Can the two sets of kids work across a 79-year divide to prevent the U.S.A. from becoming the Nazi-controlled dystopia of Westfallen? This propulsive thriller includes well-paced cuts between times that keep the pages turning. Like most people in their small New Jersey town, Alice, Artie, and Frances are white. In 1944, Lawrence, who’s Black, endures bigotry; in the U.S.A. of 2023, Henry’s biracial (white and Black) identity and Lukas’ Jewish one are unremarkable, but in Westfallen, Henry’s a “mischling” doing “work-learning,” and Lukas is a menial laborer. Alice’s and Henry’s dual first-person narration zooms in on the adventure, but readers who pull back may find themselves deeply uneasy with the summary consideration paid to the real-life fates of European Jews and disabled people. The cliffhanger ending will have them hoping for more thoughtful treatment in sequels to come.

Compulsively readable; morally uncomfortable. (Science fiction/thriller. 10-13)