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AT THE OLD HAUNTED HOUSE

A good choice to share with wriggly listeners, who will soon be joining in.

A Halloween book that rides on the rhythms of “Over in the Meadow.”

Although Halloween rhyming counting books abound, this stands out, with a text that begs to be read aloud and cartoony digital illustrations that add goofy appeal. A girl and two boys set off on Halloween night to go trick-or-treating. As the children leave the cozy, warm glow of their street, readers see a haunted house on a hill, with gravestones dotting the front yard. Climbing the twisty path to the dark estate takes time, so the story turns to the antics inside the house. “At the old haunted house in a room with no sun / lived a warty green witch and her wee witch one. ‘SPELL!’ cried the witch. ‘POOF!’ cried the one. / And they both practiced spells in the room with no sun.” The actions of the scary creatures within may seem odd, but the rhyme must go on: Cats scratch, goblins dust, monsters stir, and mummies mix. Eventually the three kids reach the front door and are invited in for stew, cake and brew. At first shocked by the gruesome fare, the children recover quickly and get caught up in partying with the slightly spooky but friendly menagerie.

A good choice to share with wriggly listeners, who will soon be joining in. (Picture book. 4-6)

Pub Date: Aug. 12, 2014

ISBN: 978-1-4778-4769-5

Page Count: 32

Publisher: Two Lions

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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