by Helen Rappaport ‧ RELEASE DATE: June 3, 2014
A gossipy, revealing story of the doomed Russian family’s fairy tale life told by an expert in the field.
The daughters of Czar Nicholas II and Alexandra are just the right subjects for Rappaport’s (A Magnificent Obsession: Victoria, Albert, and the Death That Changed the British Monarchy, 2012, etc.) specialties in Russian and 19th-century women’s history.
This story of the four girls—Olga, Tatiana, Maria and Anastasia—is not just a standard Russian history; witness the passing references to the Russo-Japanese War of 1904 and 1905 and the revolution of 1905. The author’s goal is to expose the characters of these girls, brought up very much in their mother’s vision of a simple, sheltered life. Rappaport manages to maintain reader interest even as she ticks off the repetitious tale of their boring lives: long walks with their father, sewing, study, tennis and heavy doses of religion. Each year, the family would leave the palace for vacations aboard the Shtandart, the imperial yacht, in the Baltic Sea or the Crimea, where they would pretty much do the same things. A visit to their English cousins on the Isle of Wight illustrated how little social freedom they actually had. Assassination was a way of life in Russia, and the Romanovs’ security network was so strict that the family members were restricted from leaving the ship. Their social lives were nonexistent, and their playmates were the sailors on the yacht or members of the czar’s guard. Alexandra’s weak constitution initially created the family’s isolation, which the populace saw as snobbery from the German-born czarina. Add the inept autocrat, Nicholas, the hemophilia of Czarevitch Alexei and the presence of the despised Rasputin for Alexandra’s obsessive protection, and the monarchy was ripe for a fall.
A gossipy, revealing story of the doomed Russian family’s fairy tale life told by an expert in the field.Pub Date: June 3, 2014
ISBN: 978-1-250-02020-8
Page Count: 448
Publisher: St. Martin's
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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