Richly imagined, profound, and of the moment.
A Palo Alto–set domestic drama with a touch of sci-fi: What if the results of one's life choices could be explored not only in daydreams, but with a virtual reality–type app that generates personal "multiverses"?
Dan and Amy are raising a high school senior named Jack and much younger twins, Miles and Theo. Dan is a journalist who's been unemployed too long; his whole sense of self is crumbling, and he's about to have a midlife crisis involving an attractive reporter and a trip to Japan. Amy works for the 19-year-old son of her best friend back on the East Coast. The boy has started a tech company out of his dorm at Stanford, working on a system for exploring multiverses called Furrier.com (his grandma often told his grandpa she should have married the furrier) and using Amy as a guinea pig. Jack has a serious girlfriend who lives in Texas; they spend all their waking hours together via Skype and FaceTime, and she even has dinner with his family. The twins, known as Thing One and Thing Two, are both having issues at elementary school. Around these main characters, Schulman (This Beautiful Life, 2011, etc.) has brought to life a large cast of supporting players with intelligence and humor, even as the story veers pretty suddenly into tragedy in the final third. Even if the workings of the gizmo that allows the user to experience multiverses are never really clear or believable, the questions it raises are profound and engaging and they're woven into the "regular" part of the plot as well, with characters ruminating over the consequences of decisions past and present, great and small. There are a formidable number of elements crammed into this novel, mostly successfully—nuclear disaster in Japan feels a little off-track, while teen suicide clusters in San Jose are on the money—but Schulman is just such a good writer, and the things she's thinking about are so interesting, you'll stay with her right until the end.
Richly imagined, profound, and of the moment.Pub Date: Nov. 27, 2018
ISBN: 978-0-06-245913-8
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 13, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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