The wise men were not the only ones who gave gifts to the newborn Jesus. From the smallest bee, who gives beeswax to light the darkness, to the gentlest donkey, who carries Mary to Bethlehem, the creatures each use their own special qualities to protect, shelter, warm, and calm the precious baby. Ward’s (The Tin Forest, below, etc.) inspiration was the traditional French carol “The Friendly Beasts,” the words of which can be found on the final page. Though she keeps the familiar format and rhythm of the verses (“ ‘I,’ said the donkey, shaggy and brown”), she includes animals that are not typically associated with the Nativity. Lion, bear, and mongoose watch over the child, peacock’s bright tail guides travelers during the day, and woodworm ceases making holes in the stall where the baby lies. Oversized pages (11 x 11) allow Ward plenty of space to luxuriate in the glories of her art. The beautifully rendered animals seem capable of stepping off the pages—they have wonderful texture and emotional expression. The liberal use of metallic gold color adds an elegance and warmth to illustrations already rich in color. The two manger scenes where the beasts watch over the unseen child could almost be pages from an illuminated manuscript as they are filled with glowing light. The story is a gentle tribute to the animals’ role in the Nativity, and a reminder that even the smallest and lowliest have gifts to give that are fit for a king. (Picture book. 4-8)
Pub Date: Aug. 1, 2001
ISBN: 0-7613-2408-9
Page Count: 40
Publisher: Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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