Despite a repetitive start, this debut packs a double punch modeling the experimental process while spotlighting an...
Loosely based on the life of Yi Sun-Sin, a Korean admiral in the 1500s, the story of an inquisitive boy who takes inspiration from his pet turtle to design an iconic battle ship.
Sun-Sin and his pet turtle, Gobugi, are introduced with somewhat copious use of their names: “Sun-sin and Gobugi relaxed in the garden. Gobugi snacked on lettuce while Sun-sin watched ships sail across the sea. Sun-sin would tell Gobugi how he wished to explore the world and visit different lands.” Thankfully both the plot and choice of pronouns quickly diversify when the king announces an open contest to design a new battleship, with a rich prize and a naval commission for the winner. Rhee economically narrates Sun-sin’s many trials and errors until the boy finally realizes the advantages of Gobugi’s natural adaptations and presents his ideas to court. Despite initial resistance and mockery, the royal court witness Gobugi’s natural defenses in action against a cat and commissions the titular Turtle Ship. The splendor of Kong-Savage’s paper collages adds to the storytelling with rich overlapping compositions and patterns. The subsequent successes of Adm. Yi Sun-Sin and his Turtle Ships are rendered beautifully in thoughtfully composed land- and seascapes.
Despite a repetitive start, this debut packs a double punch modeling the experimental process while spotlighting an intriguing historical figure and his warcraft. (afterword, author’s note, illustrator’s note) (Picture book. 6-9)Pub Date: June 5, 2018
ISBN: 978-1-88500-890-9
Page Count: 32
Publisher: Shen's Books/Lee & Low
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
A quick but adventuresome paddle into a mysterious realm.
The ocean’s depths offer extra wonders to a child who is briefly left behind on a class trip.
In the wake of their Field Trip to the Moon (2019), a racially diverse group of students boards a submarine (yellow, but not that one) for a wordless journey to the ocean’s bottom. Donning pressure suits, the children follow their teacher past a swarm of bioluminescent squid, cluster around a black smoker, and pause at an old shipwreck before plodding back. One student, though, is too absorbed in taking pictures to catch the signal to depart and is soon alone amid ancient ruins—where a big, striped, friendly, finny creature who is more than willing to exchange selfies joins the child, but it hides away when the sub-bus swoops back into sight to pick up its stray. Though The Magic School Bus on the Ocean Floor (1994) carries a considerably richer informational load, in his easy-to-follow sequential panels Hare does accurately depict a spare assortment of benthic life and features, and he caps the outing with a labeled gallery of the errant student’s photos (including “Atlantis?” and “Pliosaur?”). The child is revealed at the end to be Black. Hare also adds cutaway views at the end of a diving suit and the sub. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 40% of actual size.)
A quick but adventuresome paddle into a mysterious realm. (Picture book. 6-8)Pub Date: Sept. 8, 2020
ISBN: 978-0-8234-4630-8
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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