Alford is a razory-wicked, fun guy to be around, and each of his stories are like those “tiny acts of grace” brightening...
Alford (How to Live: A Search for Wisdom from Old People (While They Are Still on This Earth), 2009, etc.) embarks on an idiosyncratic excursion into the land of civility.
Manners became of interest to the author when he came across a comment by Edmund Burke that manners were more important than laws, and realized how true that was for him. Each day, his life had “been far more affected by the small indignities, or the tiny acts of grace, than by any piece of governmental legislation.” A book project was born: “I decided to study these tiny-but-huge things: to read about them, and travel in their name…to hold up a magnifying glass to unattractive habits that I stumble upon, be they my own or others’.” In his highly subjective, modestly twisted, rudeness-barely-checked way, Alford engages random aspects of manners. He commiserates with readers over choosing the right greeting—hug, kiss, handshake, fist bump, shoulder grab—and tuning into the error of excessive self-deprecation or the slippery slope of formal, hierarchical protocols: “highly arbitrary, difficult to parse, and subject to change without notice.” His focus can be broad, as suggesting that tone trumps action (or, paraphrasing Noel Coward, “it’s all a matter of lighting”), but often as not he screws down tight on small example from his life—as a tour guide or online manners coach for instance, when he shows himself to be a discreet, keen observer rippling with bad-boy humor.
Alford is a razory-wicked, fun guy to be around, and each of his stories are like those “tiny acts of grace” brightening your day.Pub Date: Jan. 3, 2012
ISBN: 978-0-446-55766-5
Page Count: 288
Publisher: Twelve
Review Posted Online: Nov. 12, 2011
Kirkus Reviews Issue: Dec. 1, 2011
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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