An elegant reminder of solitary pleasure in nature.
Selections from Thoreau’s Walden are illustrated with full-page and double-page watercolors.
With dramatic use of negative space, a white moon in a dark blue sky glows above blue-tinged deciduous and pine trees, all reflected in a calm, un-rippled Walden Pond. The page opposite—decorated with two delicately rendered leaves (oak and maple)—begins: “I went to the woods because I wished to live deliberately…” and concludes with a few more sentences describing why Thoreau wanted to live “sturdily and Spartan-like” for a year. The page turns to a double-page spread of Walden Pond during the day—equally serene—with a young, lanky Thoreau—walking stick in hand—gazing across its expanse. Throughout the book, short, positive musings are complemented by equally idyllic artwork, whether Henry is building his cabin, spending time in the pine woods—his “ ‘best’ room”—or reading by his fireplace while snow gathers outside. Only the least controversial of Walden’s many ideas have been chosen, resulting in a serene tone. The chosen text is poetic—if quaint—and both text and art compel readers to slow down in contemplation. Although the publisher recommends “interest level” for ages 9 and up, younger readers will enjoy the language’s rhythm and the soothing art; conversely, older readers will, hopefully, be inspired to read the original.
An elegant reminder of solitary pleasure in nature. (Picture book/memoir. 8-13)Pub Date: Sept. 1, 2017
ISBN: 978-1-56846-305-6
Page Count: 32
Publisher: Creative Editions/Creative Company
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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