A work that has escaped publication since Thoreau wrote it, Wild Fruits will only strengthen the author’s renown for his unique voice. A keeper of the Thoreau flame and Thoreau scholar, Bradley Dean (editor of a similar Thoreau work, Faith in a Seed, 1993, prematurely described in these pages as “no doubt [the] final Thoreau book of the century”), has now transcribed and brought to life still another of the Concord naturalist and philosopher’s manuscripts that was never published in his lifetime. It is, as Dean wisely characterizes it, both a sacramental and scriptural work. The product of years of naturalistic observation, these lovely essays’some extended, some as short as a sentence—about flowers, bushes, and trees were originally culled by their author for lectures he delivered. They reveal his characteristic Transcendentalist views, his never-ending search “to find God in nature.” A mix of empirical science, philosophical speculation, and occasionally tart wit, they are wonderfully pleasing for the knowledge they evince and for their calm, melodious cadences. Fortunately, too, Thoreau the keen and distinctive thinker is ever-present. Indignant, for example, at his contemporaries’ failure to appreciate the huckleberry, he likens their obtuseness to the loss of “natural rights,” thus giving fresh meaning to an ancient term. While never intruding on—in fact, scarcely explaining—Thoreau’s prose, Dean artfully provides notes glossing terms, names, and references that might be obscure to a modern reader. He thus makes this 150-year-old work fully accessible to everyone. A work of often incandescent prose likely to find many readers among historians, naturalists, literary scholars, and, most of all, those who have long loved and learned from the author of Walden and other beloved texts. (Line drawings throughout; 3 facsimile manuscript pages.)
Pub Date: Nov. 1, 1999
ISBN: 0-393-04751-2
Page Count: 400
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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