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WINK

YOUNG ADULT TALES THAT WINK AT CLASSIC CHILDREN'S BOOKS

A superb collection of genre stories that prove just as rousing as their inspirations.

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In this anthology, a bevy of authors deliver a collection of YA SF and fantasy tales, each inspired by a literary classic.

In Leah Cypess’ “The Scent of Cotton Candy,” Julia is worried about her teenage brother, who’s seemingly obsessed with tracking down their former nanny. Julia can’t help but wonder why this nanny, who’s capable of magic, is so invested in children. This story, like the others in the book, takes ideas from a “childhood classic” and spirals off into a markedly different direction. The new takes often go darker; for example, Seanan McGuire’s “Special” follows a narrator who believes “Bad People” don’t share—and their way of making others share leads to a spine-chilling turn (“we’re going to play the biggest game of Secret Laboratory there’s ever been”). In some cases, the inspiration (cited at the end of each tale) isn’t immediately clear. That’s certainly true for Stacia Deutsch’s “Other Earth,” in which people have evacuated Earth to survive inside the Bubble, an artificial atmosphere (not everyone agrees with the plan to expand the Bubble when it involves cutting down oxygen-providing trees). The stories are also linked by similar genres and themes: The SF/fantasy yarns smartly cover such topics as artificial intelligence, post-apocalyptic worlds, and alternate dimensions. It’s not all doom and gloom, however; the clever “My Science Project,” courtesy of editor Herz, zeroes in on high school science/SF nerd Wes. One day, he video chats with two cosplayers in top-notch froglike masks, only to discover that they may actually be the aliens they claim to be. This impressive gathering of authors includes Maggie Stiefvater, Jonathan Maberry, Kendare Blake, and Nancy Holder. The writing is pithy throughout, instantly dropping readers into narratives that thrive on engaging characters and unpredictable, diverting turns. Gustavson’s striking black-and-white artwork prefaces each tale and often hints at the source of inspiration, like a familiar hat for Stiefvater’s “State of Mind.”

A superb collection of genre stories that prove just as rousing as their inspirations.

Pub Date: June 29, 2024

ISBN: N/A

Page Count: 232

Publisher: Brigids Gate Press

Review Posted Online: July 22, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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