This disjointed account of life with Mom and Dad by French novelist and journalist Guibert (To the Friend Who Did Not Save My Life, 1991) is supposedly a blend of autobiography and fiction- -neither terribly exciting. Published in France in 1986 (five years before the author's death from AIDS), the novel boasts opening pages redolent with the spicy aroma of scandal. HervÇ's great-aunt breaks into her sister's Paris apartment and burns some 30-year-old papers that reflect badly on HervÇ's mother, who as a young woman had been impregnated by the parish priest and quickly married off to an old childhood friend (HervÇ's father, who did not come cheap). Dominique was born four months later. This cheerful rattling of skeletons soon gives way to a description of the domestic order that enfolded HervÇ's childhood world. His father, abandoning a raffish past, takes a civil service job as veterinary inspector at the Paris slaughterhouses. HervÇ's feelings about his parents are profoundly ambivalent, perhaps because of his long dependence on them—at 12 he is still being escorted to the toilet by his mother, while at night his father undresses him and massages his feet. In his teens HervÇ starts to rebel, though when he gets sick in his own apartment, he rushes home for more coddling. By now the young man has had two male lovers, come out, and published his love letters. His journalistic prominence helps his parents tolerate his homosexuality, but HervÇ is ``extremely cold'' with them, ``almost ashamed of [his] lack of basic decency.'' Only when his mother has a mastectomy does he overcome his ``disgust,'' cry, and hold her close. A minor work that fails to define HervÇ and his parents clearly or memorably.
Pub Date: July 1, 1994
ISBN: 1-85242-286-6
Page Count: 182
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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