An impressive beginning to what looks to be an ambitious series.
An alternate history in the style of Naomi Novik and Susanna Clarke explores the French and Haitian revolutions with a magical twist.
This series opener has three plotlines. One follows Fina, a young enslaved woman who eventually joins with Toussaint Louverture and plays a pivotal role in the revolution against slavery and French rule in Saint-Domingue; the second follows Camille Desmoulins and Maximilien Robespierre as they stir up the bloody Reign of Terror; and the third follows friends William Pitt and William Wilberforce as they rise in the ranks of the British Parliament. Parry is working with historical events and (mostly) real characters here, but this is a world where some people are born with magical abilities. Some can control the weather, some can manipulate metal, some can even control others through “mesmerism.” Some magicians have abilities that are wholly outlawed, like necromancy, and “vampires”—here meaning human magicians who can ingest blood to give themselves eternal life—have been wiped out altogether (supposedly). But who is allowed to use their magic? Only White aristocrats, of course, and with the aid of magic, White slave owners literally control slaves’ every movement, trapping them inside their minds. But enslaved people, like Fina, are finding ways to break free and fight back, and in Europe, politicians like Pitt and Wilberforce are working to abolish the slave trade and give people of all classes the right to use their gifts. Desmoulins and Robespierre start out fighting for freedom, but as the French Revolution descends into pure violence, it becomes clear that someone is manipulating Robespierre to cause as much death as possible. The story leans too heavily on dialogue, which, unfortunately, is not Parry’s strongest suit. Her real talent lies in immersive worldbuilding and meticulous plotting, and she does an expert job of setting the scene for the rest of the series while simultaneously constructing a story that’s engaging in its own right.
An impressive beginning to what looks to be an ambitious series.Pub Date: Sept. 15, 2020
ISBN: 978-0-316-45908-2
Page Count: 544
Publisher: Redhook/Orbit
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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