There’s more politics than mayhem here, but fans of hard-boiled fiction will enjoy seeing how Japanese cop shops work.
Linked novellas from the dean of Japanese noir.
Yokoyama knows his way around a police station, as these linked novellas, reminiscent of Janwillem van de Wetering’s Amsterdam Cops series, suggest. Yet a Japanese police station is a place that’s thoroughly politicized and bureaucratic. A constant presence in each of the stories is a personnel director named Shinji Futawatari, whom everyone fears because he has unusually broad powers to reassign people to different jobs, elevating some and demoting others. “Fortunately,” writes Yokoyama, “it was a particular strength of Personnel to nurture posts that were both impenetrable and obscure, enabling transfers that were recognizable from the inside as punitive yet justifiable to the outside as existing to 'strengthen Department X or Y.' ” Futawatari’s life is made miserable by a 42-year veteran detective who refuses to be shuffled from his post for reasons that, a detective ventures, have something to do with “all that other shit.” The veteran cop, who could teach Bartleby the Scrivener a thing or two, won’t talk about it or consider a transfer, leaving Futawatari frustrated and powerless. In the next story, Futawatari—who’d been named a superintendent at the age of 40 and is nicknamed the “ace,” not for his skills but as “a reference to the trump card he held”—is a peripheral player in a cat-and-mouse game in which an anonymous cop is blackmailing a senior officer. The same threat plays in the fourth story, with a politician threatening to expose another top cop, sending the prefecture scrambling to dig up dirt. When Masaki Tsuge, who works in the Prefectural Police Headquarters, pleads on his boss’s behalf, the politico answers, smugly, “If you’re this good at kowtowing, you might want to consider running for election.” The story that precedes it is the most elusive, in which a promising woman sergeant in a deeply sexist enterprise—as Yokoyama writes, “Questions of gender aside, she was exactly the type of officer the force needed”—simply disappears from her station one day.
There’s more politics than mayhem here, but fans of hard-boiled fiction will enjoy seeing how Japanese cop shops work.Pub Date: Nov. 10, 2020
ISBN: 978-0-374-23704-2
Page Count: 288
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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