Dishy Hollywood fiction at its finest from an author who traffics in the truth behind tabloid headlines.
This irresistible debut novel from an accomplished celebrity-memoir ghostwriter reads like a behind-the-scenes look at the marriage of a certain former Hollywood it couple.
TomKat, is that you? Lizzie Pepper, the disarmingly charming fictional narrator of this engaging faux memoir, is ready to reveal the truth about her tabloid-fodder relationship with her now-ex-husband, mega-movie star Rob Mars. (The author, Liftin, has collaborated on the memoirs of many real celebrities, including Miley Cyrus and Tori Spelling.) A wholesome, young, Midwest-raised actress, best known for playing a girl-next-door type on TV, Lizzie takes a meeting with Mars, who, in addition to being hugely famous and the teen crush of Lizzie’s best friend from home, is also deeply involved in a creepy cultlike religion with a lot of money and Hollywood pull. Lizzie thinks she’s auditioning for Rob’s next film, but she’s actually trying out for a bigger role—the actor’s girlfriend and, eventually, his wife and the mother of his children. Lizzie’s feelings for Rob are real, but how authentic his are for her is a continual topic of speculation in the press and ultimately an open question for Lizzie herself, despite (or perhaps partly because of) moments like the one in which Rob dramatically declares, in front of a phalanx of paparazzi, that Lizzie is “the love of my life”—an incident that goes viral, becoming a YouTube meme and providing talk show joke fodder. “They called him a manufactured brand, a robot attempting to play the role of a man in love,” Lizzie recalls. If these characters and this story don’t sound familiar to you, you miraculously missed out on the world’s collective fascination with the six-year marriage of Tom Cruise and Katie Holmes—not to mention its dramatic end. But no matter, Liftin’s compelling, highly readable novel—with its sympathetic narrator, suspenseful plot pivots, snappy pace, and dishy details about Hollywood’s inner workings—is likely to engage even readers who remain blissfully unaware of the tabloid characters who may or may not have inspired it.
Dishy Hollywood fiction at its finest from an author who traffics in the truth behind tabloid headlines.Pub Date: July 21, 2015
ISBN: 978-0-670-01641-9
Page Count: 352
Publisher: Viking
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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