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STATE OF TERROR

More of a novelty for political nerds than a compelling thriller.

An award-winning author teams up with a former secretary of state to pen a thriller about…a fictional secretary of state.

There are two types of people likely to pick up this book: those who enjoy thrillers and those looking for fresh insight into one of the most powerful political figures of the last 30 years. Neither is likely to be entirely pleased by this slow-moving tale. The setup is solid enough: Ellen Adams has just joined the new president’s administration when three Pakistani nuclear physicists are targeted by deadly explosions in London, Paris, and Frankfurt—an event that raises alarms about terrorists gaining possession of nuclear weapons. The first issue with this novel is that a secretary of state engages in a lot more talking than doing. The action, such as it is, occurs in scenes dominated by Adams’ adult children, and this presents readers with another problem. Her son, Gil, gets off the bus one of the physicists is riding seconds before it blows up. He escapes because his mom gets a tip from a staffer and gives him a call, but the ultimate source of the tip is anonymous and Gil’s reasons for being on that bus are unclear—and these unknowns are complicated by the fact that he’s a convert to Islam and Islamic extremists are implicated in the attacks. Katherine, the secretary's media-executive daughter, not only travels with her mother as she jets around the world, but also helps out with a little light espionage. The authors are asking readers to believe that Adams’ colleagues, her peers, and her boss—the president of the United States—are comfortable with her directing the American response to terrorist attacks in which her son was involved, nor do they stop her from treating a high-stakes global manhunt as Take Our Daughters to Work Day. This is all to say that sticking with the narrative means accepting that this is fantasy, not a revealing glimpse behind the curtain from Clinton. Indeed, it’s not hard to read many scenes as wish fulfillment. As the story progresses, Adams dispenses entirely with subtlety and discretion to dish out some no-holds-barred diplomacy. Adams also has a schoolteacher-turned-counselor named Betsy Jameson, a character based on Clinton’s real-life best friend, Betsy Ebeling. Betsy does some sleuthing, and her scenes will, perhaps, feel more familiar to Penny’s fans than the rest of the book. This cozy mystery element is just as fanciful as the rest, but there’s something satisfying about watching two middle-aged women save the world.

More of a novelty for political nerds than a compelling thriller.

Pub Date: Oct. 12, 2021

ISBN: 978-1-982173-67-8

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Oct. 11, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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