More of a novelty for political nerds than a compelling thriller.
An award-winning author teams up with a former secretary of state to pen a thriller about…a fictional secretary of state.
There are two types of people likely to pick up this book: those who enjoy thrillers and those looking for fresh insight into one of the most powerful political figures of the last 30 years. Neither is likely to be entirely pleased by this slow-moving tale. The setup is solid enough: Ellen Adams has just joined the new president’s administration when three Pakistani nuclear physicists are targeted by deadly explosions in London, Paris, and Frankfurt—an event that raises alarms about terrorists gaining possession of nuclear weapons. The first issue with this novel is that a secretary of state engages in a lot more talking than doing. The action, such as it is, occurs in scenes dominated by Adams’ adult children, and this presents readers with another problem. Her son, Gil, gets off the bus one of the physicists is riding seconds before it blows up. He escapes because his mom gets a tip from a staffer and gives him a call, but the ultimate source of the tip is anonymous and Gil’s reasons for being on that bus are unclear—and these unknowns are complicated by the fact that he’s a convert to Islam and Islamic extremists are implicated in the attacks. Katherine, the secretary's media-executive daughter, not only travels with her mother as she jets around the world, but also helps out with a little light espionage. The authors are asking readers to believe that Adams’ colleagues, her peers, and her boss—the president of the United States—are comfortable with her directing the American response to terrorist attacks in which her son was involved, nor do they stop her from treating a high-stakes global manhunt as Take Our Daughters to Work Day. This is all to say that sticking with the narrative means accepting that this is fantasy, not a revealing glimpse behind the curtain from Clinton. Indeed, it’s not hard to read many scenes as wish fulfillment. As the story progresses, Adams dispenses entirely with subtlety and discretion to dish out some no-holds-barred diplomacy. Adams also has a schoolteacher-turned-counselor named Betsy Jameson, a character based on Clinton’s real-life best friend, Betsy Ebeling. Betsy does some sleuthing, and her scenes will, perhaps, feel more familiar to Penny’s fans than the rest of the book. This cozy mystery element is just as fanciful as the rest, but there’s something satisfying about watching two middle-aged women save the world.
More of a novelty for political nerds than a compelling thriller.Pub Date: Oct. 12, 2021
ISBN: 978-1-982173-67-8
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Oct. 11, 2021
Kirkus Reviews Issue: Nov. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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