by Holly Keller & illustrated by Holly Keller ‧ RELEASE DATE: Aug. 1, 2002
Farfallina the caterpillar and Marcel the gosling become fast friends when they meet during a rainshower, taking an immediate liking to one another. The two play hide-and-seek, each taking into account the strengths and weaknesses of the other (Marcel can’t climb trees like Farfallina, Farfallina can’t move as fast as Marcel) and enjoy traversing the pond together, Farfallina riding on Marcel’s back. One day, Farfallina doesn’t feel like herself, so she climbs a tree while Marcel waits at the bottom. He waits and waits, until finally, lonely and worried, he gives up. When he next sees his reflection in the pond, he can hardly recognize himself; he’s grown so much. Alert readers will surmise that Farfallina has done some growing of her own, and it’s true: when she finally emerges, she has become a beautiful butterfly. She descends, saddened that Marcel did not wait for her; the only creature in the vicinity is a handsome goose in their pond. Of course, the goose is Marcel, but neither friend recognizes the other. They are attracted to one another all over again, and are overjoyed and amazed to realize each other’s true identity. Keller’s (Cecil’s Garden, 2001, etc.) watercolor illustrations feature a bright pink caterpillar Farfallina, who turns into a glorious orange butterfly, and a realistically gray-brown Marcel against backgrounds of summery, outdoorsy blues and greens. This heartwarming, colorfully illustrated story underscores beautifully the power of true friendship without glossing over the reality that change is inevitable as friends grow and mature. (Picture book. 3-7)
Pub Date: Aug. 1, 2002
ISBN: 0-06-623932-X
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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