by Holly Thompson ; illustrated by Ashley Crowley ‧ RELEASE DATE: April 3, 2018
A worthwhile endeavor that unfortunately falls short in artistic execution but that offers some resources for families who...
When a boy loses his father, waves of emotions wash over him as he grieves and begins to heal.
At the dinner table, in the car, at a game—in everyday moments the absence of his father is felt. Fear, anger, and sadness roll in, unpredictable and overwhelming, as his father’s items are both treasured and broken. Some days the boy feels numb, and sometimes happiness slips in. Simple drawings with loose washes of color provide literal interpretations of the text, waves looming and engulfing the boy. Moments are represented like pictographs, making this offering seem like a handbook or guide rather than a true picture book. The text’s acknowledgement of the various emotions and slow healing process is much needed, and the support group, grief first-aid kit, memory box, and memory chair are important tools that are discussed. Moments when the family members share stories, make music, or just hold one another and listen to each other breathe show healing in process. Finally, when the difficult waves break, the boy has learned to surf them out toward peace. The boy and his family have brown skin and dark hair.
A worthwhile endeavor that unfortunately falls short in artistic execution but that offers some resources for families who have suffered the loss of a loved one. (Picture book. 4-8)Pub Date: April 3, 2018
ISBN: 978-0-8075-6112-6
Page Count: 37
Publisher: Whitman
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Holly Thompson ; illustrated by Jen Betton
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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