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ALL SUMMER LONG

From the Eagle Rock series , Vol. 1

A coming-of-age story as tender and sweet as a summer evening breeze

Summer adventures begin when Bina accidentally locks herself out of her house in Larson’s newest middle-grade graphic novel.

The summer before eighth grade is a season of self-discovery for many 13-year-olds, including Bina, when her best friend heads off to soccer camp and leaves her alone to navigate a SoCal summer. Without athletic Austin around to steer the ship, Bina must pursue her own passions, such as discovering new bands and rocking out on her electric guitar. Unexpected friendships bloom, and new members are welcomed into her family. Though her sphere grows over the summer, friendship with Austin is strained when he returns, and Bina must learn to embrace the proverb to make new friends but keep the old. As her mother wisely observes, “you’re more you every day,” and by the end of summer Bina is more comfortable in her own skin and ready to rock eighth grade. Larson’s panels are superb at revealing emotional conflict, subtext, and humor within the deceptively simple third-person limited plot, allowing characters to grow and develop emotionally over only a few spreads. She also does a laudable job of depicting a diverse community for Bina to call home. Though Bina’s ethnicity is never overtly identified, her racial ambiguity lends greater universality to her story. (In the two-toned apricot, black, and white panels, Bina and her mother have the same black hair and gold skin, while her dad is white, as is Austin.)

A coming-of-age story as tender and sweet as a summer evening breeze . (Graphic fiction. 10-14)

Pub Date: May 1, 2018

ISBN: 978-0-374-30485-0

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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