Altogether perfect.
Bina wants a band, not a boyfriend: Is that so wrong?
In this follow-up to All Summer Long (2018), Bina, now in eighth grade, has formed a band with new-girl Darcy and aloof prodigy Enzo. When Enzo and Darcy start dating, Bina finds herself dumped by her band mates, who reorganize the group as a duo. Additionally, her neighbor and BFF, Austin, fresh from a breakup with his long-distance girlfriend, now seems to like like her; could her oldest friend become her boyfriend? Everywhere she turns, it seems that everyone is concerned with only one thing—dating—whereas Bina swoons solely for music. Bina feels she must present herself a certain way to find acceptance. Wanting something different from her peers causes her anxiety, and she struggles to be true to herself and her friends as opportunities swirl around her. Bina’s smart, likable, and familiar, and her coming-of-age fears are palpably engaging as she learns that romance need not be romantic. The story is written and drawn by Larson; colorists Sycamore and Edwards add a sophisticated two-toned, muted rose-gold scheme. Larson has a wonderfully sharp eye for her characters, including a range of skin tones, sexual orientations, and body types. Aftermatter includes Larson’s explanation of her artistic process and is sure to inspire budding artists. Bina presents as mixed-race, though it’s not explicitly stated; her dad presents White, and her mom has brown skin.
Altogether perfect. (Graphic fiction. 10-14)Pub Date: Aug. 4, 2020
ISBN: 978-0-374-31162-9
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
An endearing protagonist runs the first, fast leg of Reynolds' promising relay.
Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.
His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.
An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5015-7
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
