Another jolting, maddening, occasionally exhilarating trip on Calisher's Hovercraft fiction, as again the misty distance between the plot frame and the Meaning-of-It-All offers both dazzlements and headachy obscurations. The scene is a New Jersey town in the 50's and onward, on one of those streets "where the existence of, well, real life could not hope to be concealed," and where a young woman shapes her awakening psyche, as a playwright stirs a nest of family secrets. Craig Towle, the town's famous playwright, is the one who married the "bobby-soxer" half his age (who will later die poisoned by her unborn child). And the female narrator will also have been used by ToMe ("he married our age") as a voice for his creation—a play based on her family's exotic/erotic secrets; the play, never produced, will wither, stillborn. While Towle, the user and abuser, looms offstage, a tangle of family-folk knits and loosens ties, exchanges houses, poses puzzles. Mother, once Towle's lover, inherits money—from Father's mistress? Or had Father a different sexual proclivity? Brother Tim, who spent a boyhood with Grandmother Nessa, is on the periphery of the central mystery. This is rooted in Grandmother's dead sibling Leo—seen as a woman's face in a fading photograph. Artifacts in the present celebrate Leo: an image of two bikes side by side; a wedding dress, offered as a challenge to Nessa by Towle, as he prepares to discard it in a dump. It's Towle who will revive the story of Leo, the man/woman whose strength and tenderness obscured sexual divisions. And it is at her (aborted) wedding, to artist a graveyard, "at the double knot of my own legend." Convoluted and packed with some startling perceptions, as well as those lumpish throwaways ("Sandwiches make me optimistic"; or "What is sex but a question the body answers?"). Still, this lush mix of insights and fictional outtakes is more manageable and tighter than Calisher's previous novels. A wildly uneven talent—but un-ignorable.
Pub Date: March 28, 1986
ISBN: 0385184263
Page Count: 296
Publisher: Doubleday
Review Posted Online: March 23, 2012
Kirkus Reviews Issue: Feb. 15, 1986
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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