In a swarming of images, bright diversions, and symbolism which seems to flip belly-up before your eyes, Calisher again stirs toward coherence but lands mostly among impressive isles of total chaos. Lexie, from teenager to matron, begins and ends the story on the two banks of the Hudson. In a 4:00 a.m. N.Y, harbor pier-side wrangle with her parents, Lexie begins her "voyage to the interior" by reaching out to the "city" she'd heard about from her father—her own erogenous zone. The penetration of her "empty space," as she looks for her own "special language," proceeds 30 miles up the Hudson River, where she lives—as wife, mother, and lover—in a Victorian mansion. After years of young children ("love buttered") and fabled neighbors' enchanted nights (a swimming pool "bobbing with pale-gold oval faces"), Lexie takes a trip that stops just short of the bridge to that city (O-ho) and finally finds the perfect meld of dominance and submission in sex. The close is a serio/comic vision, with the suburban matron and her estranged husband nude on the grass, viewed by their grown children who are plotting escape from the family tower—after an attempted suicide by one and hints of incest. Now Lexie, presumably having settled the matter of what is solely female and what is personal ("In her relationships with men. . . have they been with herself?") rears up like "a dinosaur on the edge of extinction" and yells out: "Ah! I give birth to them. The women. Him. All Awareness. . . ." For the reader who goes the distance on this slow, muddy, but tantalizing track—Distance is the key. Back off and you'll spy the themes and counter-themes, you'll hear the horns of serf-land gently blowing on the Hudson. Ahhhhhh! or Arghhhhh!, depending on your stamina, and Calisher experience.a
Pub Date: Nov. 1, 1977
ISBN: 0425039366
Page Count: -
Publisher: Arbor House
Review Posted Online: March 23, 2012
Kirkus Reviews Issue: Nov. 1, 1977
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
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