Eight "little novels"—i.e., longish short stories—from the idiosyncratic author of strong short fiction and uneven novels; here, though none of the pieces is quite fully satisfying, the collection is only occasionally mired in the feverish imagery and lumbering verbiage that have seriously marred Calisher's recent work (On Keeping Women, Mysteries of Motion). The novella-length title story is one of the less successful entries, uneasily poised between comedy-of-manners (the Saratoga sporting set) and psychological closeup: the conflict-ridden marriage of bouncy horse-lover Tot and depressive, lame artist Nola—which somehow chugs along despite (or because of) their opposing sensibilities, their heavy loads of guilt. There's a similar, more satiric blend of milieu (upscale show-biz) and neurotic marriage (in the A Star is Born mode) in the brief "The Sound Track." And two other stories offer wildly contrasting views of New York City lifestyle: in the case-history-like "Survival Techniques," the narrator—a retired storekeeper living with his wife in a fine old midtown apartment-house—finds himself compelled to join the bag-ladies on his block ("I was not aiming to be pitiable, only never again to have to be a passerby"); in the fetching but overlong "The Tenth Child," the author reads an ad for a Park Ave. triplex ("Space for 1,000 Dresses and Room for Party for 100 Children")—and is quickly launched into an elaborate fantasy about the sort of family that would live in such a place. The other pieces, however, even if laced with contemporary details, are more personal, less social. "Real Impudence" is a slightly clinical, fairly wry study of eccentric relationships in a Greenwich Village menage. ("It's all a question of knowing who to latch onto.") "The Library" is a faintly soupy retrospective—about a charismatic Englishwoman who has just died, about the three Americans who loved her, becoming a "family of husbands." And the collection is rounded out by two first-person memoirs: a woman recalls her ambivalent feelings about her mother, her own ironic fate ("now I am you"), in "Gargantua"; "The Passenger"—the thoughts of a woman writer en route by train from Chicago to New York—is plainly autobiographical, rather formless, occasionally humorous. . . and often excessive. ("Peoples' agonies are like dunes I stumble in, always falling with my fangs in my own wrist.") Inventive, observant, murky, florid: the familiar mixed bag of Calisher virtues and drawbacks—but without the oppressive longueurs of her recent novels.
Pub Date: May 1, 1985
ISBN: 0385199759
Page Count: -
Publisher: Doubleday
Review Posted Online: March 23, 2012
Kirkus Reviews Issue: April 15, 1985
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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