A masterpiece of memoir: a volume that soars, sings, and sobs.
A dazzling memoir by the nonagenarian novelist who discovers along the way a most damning document among her family’s papers.
It takes more than 260 pages for Calisher (Sunday Jews, 2002, etc.) to tell us the details of this document—a receipt for an 1856 life-insurance policy, bought in Richmond, Virginia, by her grandfather for two of his “servants” (i.e., slaves). The author, devastated by the discovery (“I am hangdog, ebullience gone,” she writes), ends this wonderful, lyrical account with a tattoo—a bugle summons, thrice uttered: “Remember the slave.” What leads us to this tattoo is some of the most lovely language imaginable—Emersonian in its richness, Nabokovian in its evocativeness. She begins the first of her several major sections—unnumbered, unnamed—with a memory of her father telling her that her grandmother had never kept slaves. (Later, Calisher says she believes her father wanted her to find the document.) And then she begins her journey into the tangled wood of her family’s history. She remembers the German and broken English she heard in childhood (her Jewish grandfather had arrived from Germany around 1827), and many of the early pages are spiced with German words and phrases (usually translated). She gradually moves along history’s pathways, diverging here and there, returning always to the main road. When she nears painful moments (an estrangement from her brother), she temporizes, waits. But who cares? For on nearly every page of this journey is a sentence you wish you’d written (e.g., “But humility is a prism, all of whose sides a child is not yet equipped to see”). She alludes only occasionally to her adult history—to two marriages, the birth of a child, a writing career. What matters here—what really matters here—is that complex web of family; and she discovers in its intricate silkiness a small but purely poisonous spider.
A masterpiece of memoir: a volume that soars, sings, and sobs.Pub Date: Nov. 1, 2004
ISBN: 0-15-101096-X
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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