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AMERICAN LIGHTNING

TERROR, MYSTERY, MOVIE-MAKING, AND THE CRIME OF THE CENTURY

Unfailingly entertaining.

Two-time Pulitzer nominee Blum (The Eve of Destruction, 2003, etc.) cinematically explores the 1910 dynamiting of the Los Angeles Times building.

The fierce fighting between labor and capital at the turn of the 20th century was especially intense in Los Angeles. Times publisher Otis Chandler was a bitter opponent of unions. Brothers J.J. and J.B. McNamara, both labor activists, were involved in a nationwide terror campaign that culminated in the firebombing of the Times headquarters and 21 deaths. Summoned west to solve the case, the country’s most famous detective, William J. Burns, spent six months investigating and then arrested the McNamaras and a confederate, Ortie McManigal, who promptly confessed. Clarence Darrow, the era’s foremost defense attorney, reluctantly undertook the McNamaras’ defense. In luminous detail, Blum interweaves the stories of Burns and Darrow, leaving room for memorable walk-ons by labor leader Samuel Gompers, flamboyant attorney Earl Rogers, movie star Mary Pickford and muckraking journalist Lincoln Steffens. Remarkably enough, Steffens’s pro-labor battle cry—“justifiable dynamiting”—actually helped fashion a plea bargain in the case, whose political and economic ramifications were too great for either side to stomach an outright loss. The relevance to this drama of Blum’s third major character, pioneering filmmaker D.W. Griffith, is not immediately apparent. Eventually, however, the author justifies Griffith’s role in his text by demonstrating how the director’s early films moved progressively toward the sort of socially important statement the McNamara case in all its dimensions embodied. The nascent motion-picture industry, Blum suggests, could capture in a new and powerful way the staggering cultural dimensions of this political and legal brawl. The author’s eye for scene-setting and subtle explication perfectly mimics a Griffith-style camera. Blum is at his best when exploring the motivations, the genius and the deep flaws of his three principals, men who occupied the same room only once in their lives, but who are memorably linked in this book.

Unfailingly entertaining.

Pub Date: Sept. 1, 2008

ISBN: 978-0-307-34694-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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