by Howard Bryant ‧ RELEASE DATE: Jan. 21, 2020
Another illuminating social and cultural critique from an important contemporary voice.
A series of forceful, justifiably angry essays connected by the theme of white supremacy negating the full citizenship of black Americans.
In his latest, ESPN The Magazine senior writer Bryant (The Heritage: Black Athletes, a Divided America, and the Politics of Patriotism, 2018, etc.), who is also a correspondent for NPR’s Weekend Edition, argues that no matter how faithfully black Americans observe the rules established by privileged whites, they—plus other people of color—will never be fully accepted in any part of American society. Perhaps the most apt brief phrase to summarize the author’s admirably detailed analysis is “white racial aggression.” Because much of Bryant’s recent journalism has been published by ESPN, he regularly refers to famous athletes such as LeBron James, Tiger Woods, and Colin Kaepernick to illustrate sweeping cultural phenomena that involve skin color. Bryant’s bitterness—like that of so many Americans of all races—ratcheted up after the hint of a post-racial society following the election of Barack Obama morphed into the hate-filled presidency of Donald Trump. The author cannot accept any statement that racism has demonstrably decreased compared to some indefinite past era. The only other option presented to him, he writes, is to “get over it,” which he finds both condescending and impossible when that admonition ignores “what it means to be part of a lost tribe.” One of the most thought-provoking—and freshly argued—essays centers on how whites who violate society’s norms regularly achieve rehabilitation while blacks rarely do. He constructs that essay around the reputational rehabilitation of ice skater Tonya Harding despite her assault on Nancy Kerrigan. Ultimately, Bryant believes that what many white Americans want is “the day when black people will finally stop talking about race, which will also mean the arrival of the day when white people can stop listening to it.”
Another illuminating social and cultural critique from an important contemporary voice.Pub Date: Jan. 21, 2020
ISBN: 978-0-8070-1955-9
Page Count: 200
Publisher: Beacon Press
Review Posted Online: Oct. 20, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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by Howard Bryant ; illustrated by Floyd Cooper
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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