A taut story, lucidly told. That the Bosox haven't won a World Series in umpteen years is embarrassing; the legacy of...
A withering look at the institutionalized racism of the Boston Red Sox, painted against the larger backdrop of citywide racism, from Bergen Record journalist Bryant.
Everyone knows that the Bosox traded away Babe Ruth, but less well known is that they passed on the opportunities to snare Jackie Robinson and Willie Mays. In this scorching and well-documented history of the team's racial attitudes, Bryant describes how the bigotry of the Yawkey family, owners of the club, and such important front-office and managerial figures as Eddie Collins, Joe Cronin, and Pinky Higgins resulted in the Red Sox being the last team—this in a city that cast itself as a bastion of tolerance—to cross the color line. But Boston's image of liberalism, as Bryant neatly sketches, was smoke and mirrors, showing its true face in the busing crisis of the 1970s, and, more insidiously, through “its hidden presuppositions of how black people should act, especially around whites.” Kicking and screaming, Boston signed its first black player in 1959, but that was not to be the end of it. From 1979 to 1984, the team had only two active black players, and even the team greats—Reggie Smith, Jim Rice, Ellis Burks—never felt at home in racially tense Boston; black players often referred to their stint with the team as a “jail sentence.” Even in the ’80s, there was a country-club attitude that allowed the racist Elks Club to entertain Bosox players—whites only. Bryant uses a number of lenses to gain a wide perspective on the situation: those of reporters like Dave Egan, Wendell Smith, and Peter Gammons; players from other sports, like Bill Russell of the Celtics; the ebb and flow of Boston politics; and the racial atmosphere that keeps Boston at a simmer, ready to corral the black community, as it did in the Charles Stuart case.
A taut story, lucidly told. That the Bosox haven't won a World Series in umpteen years is embarrassing; the legacy of racism, though, is poisonous. (16 b&w photographs)Pub Date: Sept. 1, 2002
ISBN: 0-415-92779-X
Page Count: 296
Publisher: Routledge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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