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NEXT YEAR IN JERUSALEM

A princess of light, a vampire demon, peasants, and proud kings appear in these 11 tales of miracles, wisdom, and kindness, adapted by one of the creators of Sabbath Lion (1992). This beautiful collection of Jewish stories is true to its heritage; if the title perfectly echoes that heritage, it may also suggest a more parochial audience than the book, with its universal appeal, deserves. The flowing retellings are presented in suitably unsophisticated language—as folktales should be—with sidebars highlighting useful historical and biblical information. While these can be distracting, they are full of interesting facts and add to the attractiveness of the layout by preventing the pages from appearing too dense with text. Waldman sometimes draws a full- page scene, sometimes chooses a symbol for a vignette. His paintings, in soft sunset watercolors, reflect the dreamy, hope- filled tone of the stories. (bibliography) (Folklore. 8+)

Pub Date: Feb. 1, 1996

ISBN: 0-670-86110-3

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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90 MILES TO HAVANA

After Castro’s takeover, nine-year-old Julian and his older brothers are sent away by their fearful parents via “Operation Pedro Pan” to a camp in Miami for Cuban-exile children. Here he discovers that a ruthless bully has essentially been put in charge. Julian is quicker-witted than his brothers or anyone else ever imagined, though, and with his inherent smarts, developing maturity and the help of child and adult friends, he learns to navigate the dynamics of the camp and surroundings and grows from the former baby of the family to independence and self-confidence. A daring rescue mission at the end of the novel will have readers rooting for Julian even as it opens his family’s eyes to his courage and resourcefulness. This autobiographical novel is a well-meaning, fast-paced and often exciting read, though at times the writing feels choppy. It will introduce readers to a not-so-distant period whose echoes are still felt today and inspire admiration for young people who had to be brave despite frightening and lonely odds. (Historical fiction. 9-12)

 

Pub Date: Aug. 3, 2010

ISBN: 978-1-59643-168-3

Page Count: 256

Publisher: Roaring Brook Press

Review Posted Online: June 14, 2010

Kirkus Reviews Issue: July 1, 2010

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