A delightfully revealing look at scammers and their scams.
In this lively look at the history of human trickery, Wood takes readers on a tour of cons, frauds, hoaxes, impersonations, and scams.
The swindle is as old as history. The shell game, once called cups and balls, originated in ancient Rome. One example of a newer type of fakery, the “long con,” is the pyramid scheme, and Wood recounts the scams used by two of its most infamous practitioners, Carlo Ponzi and Bernie Madoff. No book about fakery would be complete without a discussion of P.T. Barnum’s many famous humbugs. Wood also reveals the tricks behind such carnival games as the ring toss, ball toss, and guessing games. Scientists have fallen prey to or helped perpetrate such hoaxes as the Rabbit Woman, the Lying Stones, and the Piltdown Man, but a long time passed before skeptical scientists were convinced the platypus was not a hoax. Deceptive practices in medicine have undoubtedly caused many injuries and deaths, but Wood recounts one medical hoax that saved dozens of Italian Jews when doctors in a Rome hospital convinced Nazis the Jews were afflicted with a dangerously infectious disease called Syndrome K and better kept in quarantine. These and more are all covered in lively prose that’s delivered with a healthy sense of irony. Clark’s full-color cartoons match Wood’s tone and are augmented by archival illustrations and photographs.
A delightfully revealing look at scammers and their scams. (further reading, source notes, index) (Nonfiction. 10-14)Pub Date: Oct. 2, 2018
ISBN: 978-1-58089-743-3
Page Count: 176
Publisher: Charlesbridge
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
Ultimately adds little to conversations about race.
A popular YouTube series on race, “Uncomfortable Conversations With a Black Man,” turns how-to manual and history lesson for young readers.
Acho is a former NFL player and second-generation Nigerian American who cites his upbringing in predominantly White spaces as well as his tenure on largely Black football teams as qualifications for facilitating the titular conversations about anti-Black racism. The broad range of subjects covered here includes implicit bias, cultural appropriation, and systemic racism. Each chapter features brief overviews of American history, personal anecdotes of Acho’s struggles with his own anti-Black biases, and sections titled “Let’s Get Uncomfortable.” The book’s centering of Whiteness and White readers seems to show up, to the detriment of its subject matter, both in Acho’s accounts of his upbringing and his thought processes regarding race. The overall tone unfortunately conveys a sense of expecting little from a younger generation who may have a greater awareness than he did at the same age and who, therefore, may already be uncomfortable with racial injustice itself. The attempt at an avuncular tone disappointingly reads as condescending, revealing that, despite his online success with adults, the author is ill-equipped to be writing for middle-grade readers. Chapters dedicated to explaining to White readers why they shouldn’t use the N-word and how valuable White allyship is may make readers of color (and many White readers) bristle with indignation and discomfort despite Acho’s positive intentions.
Ultimately adds little to conversations about race. (glossary, FAQ, recommended reading, references) (Nonfiction. 10-14)Pub Date: May 4, 2021
ISBN: 978-1-250-80106-7
Page Count: 320
Publisher: Roaring Brook Press
Review Posted Online: May 10, 2021
It’s an eye-opening case study in how history and folklore can intertwine.
With assistance from Aronson, a veteran author/editor and nabob of nonfiction, Nelson recasts his adult title Steel Drivin’ Man: The Untold Story of an American Legend (2006) into a briefer account that not only suspensefully retraces his search for the man behind the ballad, but also serves as a useful introduction to historical-research methods.
Supported by a generous array of late-19th- and early-20th-century photos—mostly of chain-gang “trackliners” and other rail workers—the narrative pieces together clues from song lyrics, an old postcard, scattered business records and other sources, arriving finally at both a photo that just might be the man himself, and strong evidence of the drilling contest’s actual location. The author then goes on to make speculative but intriguing links between the trackliners’ work and the origins of the blues and rock-’n’-roll, and Aronson himself closes with an analytical appendix.
It’s an eye-opening case study in how history and folklore can intertwine. (maps, bibliography, index) (Nonfiction. 10-13)Pub Date: Dec. 11, 2007
ISBN: 978-1-4263-0000-4
Page Count: 64
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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