Equally fascinating for its exploration of both the physical complexities of housebuilding and the theory and history that...
An absorbing account of amateur builder Howard’s construction of his family home.
A latter-day embodiment of that quintessential American, the homesteader, Howard (The Preservationist’s Progress, 1991) is determined to build his family a home in the little town of Red Rock, two hours and a world away from New York City. A writer, Howard is as taken with the intellectual aspects of the project as he is with the physical; he traces his design influences back to 16th-century Italian architect Andrea Palladio, his heating system is one conceived by a Victorian building reformer, and the layout of his grounds finds its roots in 18th-century England. No effete intellectual, however, the author spends his days hoisting beams and driving nails with his one hired helper. But his most remarkable attribute is his fundamental belief in his totally untried abilities, his unshakeable assumption that he can actually build his own house from the foundation up. For the specialized needs of the building process—the heating system, the landscaping—he employs skilled workmen, and each of them in turn becomes a character in story (from the practical stonemason to the landscaper whose vision requires that the garden look as if “an old lady lost control of it”). Yet despite the new friends and day-to-day gratification, all does not run entirely smooth. Howard makes no effort to cover his mistakes, which run from budget miscalculations to serious accidents averted only by luck; the very first vignette has him misjudging the depth of the house’s foundation by two feet. These setbacks don’t stop the inevitable forward motion of the project or the author’s pleasure in the work, however, and Howard’s assertion that “one of the joys of building is that it is at once work and leisure” is entirely convincing.
Equally fascinating for its exploration of both the physical complexities of housebuilding and the theory and history that lie behind the ways homes are made.Pub Date: June 8, 2001
ISBN: 1-56512-293-3
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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