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THE PAGES

A haunting story that provides a welcome reminder of the enduring lives of books.

A well-known novel comes to life.

Rescued from a Nazi book burning in Berlin in 1933, a copy of Joseph Roth’s novel Rebellion—the tragic story of a German soldier who becomes a barrel organ player upon returning to Germany missing one leg after World War I—serves as the unusual narrator of Hamilton’s novel. Nearly a century after the book’s publication, Lena Knecht, an artist living in New York City whose grandfather received the volume from the professor who saved it from the flames, returns to Germany with the book in hand hoping to discover the significance of a cryptic map sketched by its original owner on one of its blank pages. Hamilton's artful story teems with subplots that include the account of Roth’s disastrous marriage to Friederike Reichel, a union destroyed by her mental illness and his alcoholism; Lena’s relationship with Armin Schneider, a young Chechen refugee who returns the book to her when it’s stolen shortly after her arrival in Germany and then joins her search; and Armin's sister Madina, who lost her leg in a bombing in Chechnya and is stalked by her dangerous former lover, a violent right-wing nationalist. There are disturbing parallels between the world of Roth’s novel, published in 1924 as the Weimar Republic began to slide toward the Third Reich, and contemporary Europe, where the growing presence of immigrants like Armin and Madina sparks fear and distrust. The novel neatly balances these realistic storylines with fanciful images described in Rebellion’s distinctive, appealing voice, as when the book refers to its “two years on the shelf right next to a small book on insects,” recalling how it was “the happiest time of my life, living with all that buzzing, like a constant summer.” Lena eventually solves the map mystery, bringing the story full circle to an emotionally satisfying conclusion.

A haunting story that provides a welcome reminder of the enduring lives of books.

Pub Date: Feb. 1, 2022

ISBN: 978-0-593-32066-2

Page Count: 272

Publisher: Knopf

Review Posted Online: Nov. 12, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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