A mother-son walk through a wintry landscape teaches readers the stories behind Chinese characters that represent things they see. Xiao Ming learns that symbol for snow is created by putting the character for hand underneath the one for rain: ``Rain and snow are both forms of water, but we can hold snow in our hands,'' explains the mother. Each passage of text opens with a drawing of a Chinese character, followed by the mother's easy-to-remember words. Lee's beautiful cut-paper collages use colored paper to perceptively capture the texture of snow. The paper used to represent a skating rink is hatch-marked to resemble the scritch-scratch of skate blades. Curly fibers make a good snow-laden sky, and white paint speckles add snow to pine boughs, tree trunks, and coats. A border of white paper snowflakes encloses each picture and works as a clever link between the medium (paper) and the setting. Other books have explored the stories Chinese characters tell: Peggy Goldstein's Long is a Dragon (1991) presents a simple dictionary; Kurt Wiese's You Can Write Chinese (1945) uses stereotypes in the illustrations. Lee's book is a welcome update to these volumes, refreshingly contemporary and upbeat. (Picture book. 5-8)
Pub Date: Sept. 1, 1995
ISBN: 0-8050-3172-3
Page Count: 28
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Scotton makes a stylish debut with this tale of a sleepless sheep—depicted as a blocky, pop-eyed, very soft-looking woolly with a skinny striped nightcap of unusual length—trying everything, from stripping down to his spotted shorts to counting all six hundred million billion and ten stars, twice, in an effort to doze off. Not even counting sheep . . . well, actually, that does work, once he counts himself. Dawn finds him tucked beneath a rather-too-small quilt while the rest of his flock rises to bathe, brush and riffle through the Daily Bleat. Russell doesn’t have quite the big personality of Ian Falconer’s Olivia, but more sophisticated fans of the precocious piglet will find in this art the same sort of daffy urbanity. Quite a contrast to the usual run of ovine-driven snoozers, like Phyllis Root’s Ten Sleepy Sheep, illustrated by Susan Gaber (2004). (Picture book. 6-8)
Pub Date: April 1, 2005
ISBN: 0-06-059848-4
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
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