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THE HEARTBREAK OF AARON BURR

A short but thrilling page-turner. Brands burrows into Burr’s psyche and exposes his failings as he details the outstanding...

Most schoolchildren can tell you that Aaron Burr killed Alexander Hamilton in a duel. Brands (History/Univ. of Texas; The Murder of Jim Fisk for the Love of Josie Mansfield, 2012, etc.) chronicles the story of the downward trajectory his fortunes endured thereafter.

Burr’s relationship and devotion to his only child, Theodosia, produced a wealth of correspondence that allows us to see his tortured, often-desperate persona. His break with Thomas Jefferson over political issues and the outrage after Hamilton’s death finished Burr’s political life. More importantly, the press of creditors suggested it was a good time to get out of town. He left New York and headed west to investigate the possibilities of land speculation. While traveling he became convinced of an impending war with Spain, either in Mexico or Florida. He raised a great deal of capital to buy a tract of land in the Louisiana Territory and to outfit an expeditionary force. Burr never actually stated the purpose for the 15 boats, 500 men, firearms and provisions, but his intentions made many nervous. It was to be his ultimate undoing. Jefferson didn’t trust him, and many others saw his moves as an attempt to split the United States in two. Despite charges of treason, no indictment could be reached after two hearings, but Jefferson rejected the findings and called for his arrest. Burr attempted to evade capture but was eventually taken and transported to Richmond to stand trial. The second in the author’s series entitled American Portraits, this is one of the increasingly popular “small stories” that give so much insight into the men, women and events of history.

A short but thrilling page-turner. Brands burrows into Burr’s psyche and exposes his failings as he details the outstanding talents that were so sadly wasted.

Pub Date: May 1, 2012

ISBN: 978-0-307-74326-8

Page Count: 224

Publisher: Anchor

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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