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THE MAN WHO SAVED THE UNION

ULYSSES GRANT IN WAR AND PEACE

A direct, engaging approach to Grant’s life that would have pleased him.

An unabashed admirer of the great Civil War general portrays the most unlikely, reluctant American hero since George Washington.

While there are moments of frustrating small-picture detail to veteran biographer Brands’ (The Heartbreak of Aaron Burr, 2012, etc.) book, his portrayal of his subject’s essential humanity proves truly compelling. The author sticks to Grant’s own words, through letters and contemporary records, rather than relying on what later historians wrote. Since Grant was so unassuming and unprepossessing, this can be a torturous exercise. From his initial reluctance to consider himself a candidate for West Point, to his taking up farming in Illinois and business out of desperation to support a growing family, largely relying on filial indulgence and always uncomfortable managing his wife’s slaves, Grant never displayed a sense of self-confidence, except in handling horses. The breakout of the war saved Grant from drifting, and he was soon swept up in preparing his local militia in Galena, Ill., where he was employed in his family’s business. In his methodical fashion, Brands shows how Grant’s quiet proficiency continually caught the attention of his superiors. His ability to organize, discipline and inspire his men gained him swift promotions and earned him accolades in a series of signal battles, especially Vicksburg. Though President Lincoln doubted some of his strategies, Grant was the general that Lincoln needed (“[H]e makes things git! Where he is, things move!” Lincoln declared), and with William Sherman as Grant’s right-arm scourge, the Rebels were ground into the sea. Brands also considers Grant’s reputation for drinking, his deep devotion to his wife, his aversion to speechmaking and politics and his moral center.

A direct, engaging approach to Grant’s life that would have pleased him.

Pub Date: Oct. 2, 2012

ISBN: 978-0-385-53241-9

Page Count: 736

Publisher: Doubleday

Review Posted Online: May 30, 2012

Kirkus Reviews Issue: June 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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