A potent history of a remarkable life.
A captivating depiction of a Korean novelist’s time as a political prisoner and the belief in humanity that sustained him throughout the ordeal.
Hwang (b. 1943) is known for his elegant, philosophically self-reflective writing. In this sprawling, detailed chronicle of his life and various imprisonments, he delivers a vivid depiction of some of the historical currents that shaped Korea in the 20th century. Hwang was imprisoned in Seoul after visiting North Korea, which he fled with his family as a child. Upon returning to South Korea, he was accused of espionage and imprisoned via the National Security Act. Many literary figures and activists relentlessly argued for his release, seeing the act as a facade to suppress free speech and imprison activists unjustly. Hwang’s extraordinary life is so dense with history and characters that his lengthy account can be difficult to follow, but the descriptions of his time as a prisoner will move readers. The story oscillates among Hwang’s imprisonment, life outside prison, exile, time as a soldier in the Vietnam War, and recollections from his childhood. The author recounts eating noodles with the former North Korean dictator Kim Il-sung; how the “boxy cars of the East mingled with the sleek sedans of the West amid echoing cheers” as the Berlin Wall fell in front of him; and how his story, among others, made Susan Sontag “shed tears of anger.” Hwang peppers the narrative with prescriptive visions for relations between North Korea and the rest of the world. He is a consummate storyteller, and even those unfamiliar with the topic will find well-written historical exposition and nuanced characterizations. Hwang clearly appreciates the humanity of those he encounters, including prisoners on death row and even Kim Il-sung, contending that no one is beyond moral repair. Such considerations underscore how penal systems are often designed to dehumanize incarcerated individuals—but not Hwang.
A potent history of a remarkable life.Pub Date: Aug. 3, 2021
ISBN: 978-1-83976-083-9
Page Count: 688
Publisher: Verso
Review Posted Online: June 18, 2021
Kirkus Reviews Issue: July 15, 2021
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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