by Hyewon Yum ; illustrated by Hyewon Yum ‧ RELEASE DATE: April 27, 2021
A reminder that love and attention can bolster relationships separated by time and distance.
A summer spent in Korea with Grandpa provides growth for a little Korean American child.
A little black-haired Asian child wheels a blue suitcase through the city, craning to take in the new sights and sounds of a foreign land. This is where Grandpa lives. “It smells strange. It sounds strange.” With a sad face, the child tries to adjust to this new place, giving a firsthand account of trials suffered. When an accident caused by frustration and boredom surprises both grandfather and grandchild, there is a reckoning of sorts. Guilty feelings on both sides lead to new behaviors. This kid is possibly the same child from Yum’s previous title Puddle (2016), and the theme of overcoming cranky behavior repeats as well. With the same warmhearted care, the child is helped through the adjustment of having a relationship with a loving relative who lives across the ocean. Illustrated with colored pencil, the scenes are light and filled with patience and love. The grandfather is frequently shown at the same eye level as the child, highlighting the importance of physical connection. An effort is made to translate simple Korean words to English, and many will recognize the awkward feeling of understanding a different culture. Hopefully, readers will appreciate the importance of an affectionate relationship between grandparent and grandchild. (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at 29.8% of actual size.)
A reminder that love and attention can bolster relationships separated by time and distance. (Picture book. 3-8.)Pub Date: April 27, 2021
ISBN: 978-1-4197-4225-5
Page Count: 40
Publisher: Abrams
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Hyewon Yum ; illustrated by Hyewon Yum
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by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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