by Hyewon Yum ; illustrated by Hyewon Yum ‧ RELEASE DATE: May 5, 2020
This dad needs to learn to pick his battles and control his anger.
A cub uses some reverse psychology on his father…but gets a haircut anyway.
From the first spread, what will strike most readers is the father lion’s seemingly over-the-top anger directed at his cub. The two are at dinner, dad’s fist coming down so hard on the tabletop that his plate tilts and his drink sloshes: “You need a haircut.” Unperturbed, the cub slurps up the spaghetti. “No, I don’t.” Dad’s anger continues on the next page, where the duo shares the couch. While the lion’s words try to be reassuring, his scowl is not. On the third spread, dad finally tries to get at the heart of the matter and looks pleasant while shampooing the cub’s hair and reassuring the child that there’s nothing to be scared of. But things devolve again to a (literal) roaring match and, ultimately, the cub’s sad admission: “I just wanted my hair to look like yours.” From there, the cub uses the same tactics his father did to convince him that he also needs a trim (a reference to the lion’s mane as mustache and beard may puzzle literal-minded readers). Troublingly, “Are you scared?” is used tauntingly, and the interaction reinforces the notion that fear and worry are shameful. But most discomfiting is the anger that visibly radiates from the father in too many of the colored-pencil spreads.
This dad needs to learn to pick his battles and control his anger. (Picture book. 3-7)Pub Date: May 5, 2020
ISBN: 978-1-4197-4224-8
Page Count: 40
Publisher: Abrams
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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