A sweet, uplifting take on facial difference, friendship, and self-acceptance.
A child feels self-conscious about the birthmark on her forehead.
Mom says the birthmark is an angel’s kiss, and cousin Charlie says it’s a superpower. Still, the unnamed protagonist wonders how she’d look without the mark, which she’s named Toto. And when strangers ask about Toto, the narrator’s face reddens, and she “cannot say a word.” Pink-hued Toto and the narrator’s crimson cheeks stand out against the sepia-toned backdrops, emphasizing the narrator’s feeling that “sometimes people only see Toto, not me.” So when Mom proposes concealing Toto under the child’s bangs before school starts, she agrees. At school, she quickly befriends a girl named Niko. But when the narrator hangs upside down from the monkey bars, Toto is revealed. To the protagonist’s astonishment, Niko thinks she’s “just extraordinary”—“The birthmark on your face means that you have another life!” Later, the narrator muses that without Toto, “I might not look like ME at all. And I might not feel extraordinary.” Using short sentences and appealing kid logic, Yum, who based the story on a friend’s daughter’s experience and her own childhood memories of fielding questions about a birthmark on her leg, introduces young readers to the idea of facial difference. The narrator’s and Niko’s doll-like faces are endearing, conveying joy, embarrassment, and surprise through simple lines. The protagonist and her family have skin the white of the page and present East Asian; Niko has darker skin.
A sweet, uplifting take on facial difference, friendship, and self-acceptance. (Picture book. 4-8)Pub Date: Jan. 21, 2025
ISBN: 9780823453894
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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