by Ian Buruma ‧ RELEASE DATE: June 1, 1994
As in God's Dust (1989), Buruma takes a psychological and cultural voyage into nationalism, guilt, and self-delusion — in this case, of two of WW II's defeated Axis powers. Exploring the cliche that Germany is a culture of guilt and Japan a culture of shame, the author indeed finds that whereas Germany has engaged in a protracted collective mourning over its war crimes, Japan has no war monuments at all except to its own dead. Yet these two societies' chauvinism in this century has been similar, with Japan imitating German racial nationalism just as it imitated German education and industry. In both countries, contemporary pacifism and anti-war rhetoric have a strong anti-American flavor — a case, he thinks, of a failure to come to terms with the past. "Pacifism," Buruma notes, "turns national guilt into a virtue." The book ranges wide and deep in its search for disparate voices in both societies: editors, intellectuals, writers, artists, activists. Buruma's easy familiarity with Japan enables him to dig under the skin of national attitudes in a way that is rare for a Western commentator. When interviewing the Liberal Democratic Party politician Kamei Shizuka, for example, he uncovers typically Japanese phobias about the Jewish "domination" of American public life and the equally common resentment that Americans do not consult Japan before making policy decisions. At the end of the book he compares two towns: Passau, a picturesque town in which Hitler spent his childhood, where surviving Nazi sympathies sometimes lead bakers to make bread in the shape of swastikas; and Hanoaka, a similarly tranquil Japanese place where Chinese slave workers were lynched in 1945. In both places he finds "public indifference to painful truths." All in all, a thoughtful, patiently assembled book that probes carefully and with moral toughness into precisely those painful truths.
Pub Date: June 1, 1994
ISBN: 0-374-28595-0
Page Count: 300
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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