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NEN AND THE LONELY FISHERMAN

A moving celebration of love.

A fisherman and a merman find love by the sea.

Nen, a merman with a golden fishtail, loves exploring the world of humans. One day, as he swims close to shore, he notices that one of the fishermen seems different from the others. Ernest is gentle and creative, and he rescues sea birds accidentally snared by nets. Both are lonely, and when they meet one night under the moon, they fall in love. Nen’s father, Pelagios, frustrated at Nen’s insistence on interacting with humans, who are hurting the ocean, creates a storm that pulls Ernest under. But Nen saves him, and Pelagios sees that he was wrong. In the end, Ernest and Nen meet happily at the shore, sitting on the rocks and holding hands. The ending is a pleasant departure from the “Little Mermaid” template; neither man needs to fundamentally change who he is so they can be together. It’s a tender fairy tale with no heavy-handed moral, though the importance of love and of respecting the ocean comes through clearly. The illustrations have a sketchy simplicity to them, but they are sweet and moody, with the warm colors depicting Nen and Ernest standing out against an ocean of blues and grays. There are also plenty of cute sea creatures to spot. Young readers who appreciate fairy tales, love stories, or mermaids will be enchanted. Nen and Pelagios are brown-skinned and dark-haired, while Ernest has pale skin and red hair.

A moving celebration of love. (Picture book. 4-8)

Pub Date: April 2, 2024

ISBN: 9781499815931

Page Count: 32

Publisher: Little Bee Books

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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