A readable but not simple mathematical guidebook to the labyrinth of mathematics.
Stewart (Mathematics Emeritus/Warwick Univ.; The Mathematics of Life, 2011, etc.) unravels the secret history of equations that “have been pulling the strings of society, [t]ucked away behind the scenes.”
The author shows how mathematics has played a crucial role in the “ascent of humanity,” but were merely steps in the technological advances that followed. He begins with Pythagoras' Theorem, the essence of which was discovered thousands of years before and laid the basis for navigation and astronomy. He ends with the Black-Scholes Equation, the mathematical formula that created the possibility for computerized derivatives trading and arguably the recent economic meltdown, and urges the need for more regulation of financial markets. Stewart provides clear, cogent explanations of how the equations work without burdening the reader with cumbersome derivations. Instead, he uses them to elaborate his thesis that mathematics, despite its pivotal influence, does not in itself change the world. He gives a fascinating explanation of how Newton's laws, when extended to three-body problems, are still used by NASA to calculate the best route from Earth to Mars and have laid the basis for chaos theory. Throughout, Stewart's style is felicitous and mostly accessible. While the early chapters of the book, which cover trigonometry, calculus and statistics, offer an excellent introduction, the late chapters, which cover quantum, information and chaos theory, require more scientific background to be fully understood.
A readable but not simple mathematical guidebook to the labyrinth of mathematics.Pub Date: March 13, 2012
ISBN: 978-0-465-02973-0
Page Count: 352
Publisher: Basic Books
Review Posted Online: Jan. 23, 2012
Kirkus Reviews Issue: Feb. 1, 2012
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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