Graphite wizardry notwithstanding, a showcase or keepsake with more personal than general meaning.
In a series of atmospheric tableaux, the distinguished Canadian author/illustrator portrays mementos and images from visits to each province and territory over his long career.
U.S. and perhaps even Canadian children are going to need the descriptive notes he tacks on at the end, because without labels, the folk dolls, hand-carved animals, and other small items on display have no context beyond an occasional place name. (This lack really comes home to roost with the Yukon spread’s ordinary-looking tobacco tin—which contains, Wallace assures us, the “infamous ingredient” in a “sourtoe cocktail.”) Signaling that the “cabinet” is at least partly imaginary, shelves turn into landscapes or assemblages of images as the survey progresses, and Wallace caps his notes with a self-portrait that makes the notion explicit. Finally, though the results are technically masterful, pencil may not have been the best choice for the art, as a silhouette representing the author’s well-traveled red sneakers and a red Chinese money envelope are both monochrome, and he makes much of a fan letter decorated with a rainbow that, here, is just a set of barely distinguishable gray stripes.
Graphite wizardry notwithstanding, a showcase or keepsake with more personal than general meaning. (introduction) (Picture book. 6-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-55498-922-5
Page Count: 36
Publisher: Groundwood
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
