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THE SLEEPING PORCH

On a night “hot enough to wake the dead,” Brando and his family seek relief on the sleeping porch. Sure enough, leaping through the screen from the cemetery below comes a ghost cat: “Hot dog, it’s a hot night,” it yawns, before taking Brando on a fanciful tour of the night sky, past the melting city, through Saturn’s rings and a pod of flying right whales to an iceberg on “a sea of shimmering ice.” Wallace modulates his tale from reality to fantasy and back again nicely, the events of Brando’s nighttime adventure unfurling with the nonsensical logic of a dream. Sensuous language puts readers directly into the moment: The bits of ice Brando and Graveyard Cat enjoy taste “like winter on their tongues.” The dialogue between the two tends toward stiffness, however, as do some of the cool, watercolor compositions; the gorgeous, silvery blue-and-green fantasy panoramas of whales and icebergs succeed brilliantly where some of the close-ups do not. In all, a quietly whimsical way to beat the heat. (Picture book. 5-8)

Pub Date: Aug. 1, 2008

ISBN: 978-0-88899-826-2

Page Count: 32

Publisher: Groundwood

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2008

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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