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PRIDE

Legit.

Seventeen-year-old Zuri Benitez deals with gentrification in her Brooklyn neighborhood and her own bias in this Pride and Prejudice remix.

Zuri, or ZZ from the Block, loves her big, loud Haitian-Dominican family. She loves her Bushwick neighborhood. She doesn’t love the gentrification changing her hood, “like my face and body when I was in middle school—familiar but changing right before my eyes.” So when the rich Darcy family moves into the expensive renovated house across the street, she’s skeptical even though they’re also black. The Darcy brothers are handsome, but Zuri thinks Darius Darcy’s a snob. She opts instead for Warren, the brothers’ classmate and a boy who feels familiar. Austen fans will guess his true colors. When poet Zuri unexpectedly runs into Darius at an open mic, she begins to rethink her assessment of him, and the two, as expected, fall for each other. While Darius’ attraction to Zuri makes sense, Zuri’s doesn’t seem to move beyond his physical attractiveness—odd for a character who’s otherwise thoughtful and complex. The ending, both realistic and bittersweet, is a culmination of the book’s examination of the costs of gentrification. The plot moves too fast for substantial character growth on Zuri’s part, and some elements feel contrived, but these flaws don’t spoil a book which is not only a retelling, but an examination of timely issues, including class, blackness, and intraracial prejudice.

Legit. (Fiction. 14-adult)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-256404-7

Page Count: 304

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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