A vividly creative, heart-pounding poetic journey infused with Caribbean folklore.
Two teens, one a Black girl from the Caribbean and one a Black biracial girl from Brooklyn, struggle to find their identities.
Fifteen-year-old Marisol and her mother, Lourdes, have recently settled in a tiny apartment in Brooklyn. They are soucouyant, witches who shed their skins during the new moon and “sip from / a soul,” nourishing themselves through the life force of their enemies. But the American dream Mummy is seeking doesn’t include freedom for Marisol, who feels “forever alone.” Monthly she shape-shifts, igniting her firesoul and shedding a layer of the skin—“Black, girl, poor, and immigrant”—given to her in America. Seventeen-year-old Genevieve lives with her white anthropologist father, white stepmother, and twin half siblings. She dreams of her mother, a Black woman who’s a mystery, and struggles with her skin, which feels like it will “burn and melt,” itching “like a billion tiny needles.” The girls’ worlds collide when Lourdes is hired as a nanny by Genevieve’s stepmother. Marisol and Genevieve are two sides of the same coin, both reaching for maternal connections, and soon, loyalties in their families and within themselves will be tested. The girls’ intertwined tales, blurring and shifting over the course of the narrative, unfold in lyrical alternating first-person verse and are cleverly used to discuss beauty ideals and colorism. Readers will enjoy the ways the monstrous characters’ human facades shift unexpectedly.
A vividly creative, heart-pounding poetic journey infused with Caribbean folklore. (Verse fantasy. 14-18)Pub Date: Feb. 11, 2025
ISBN: 9780062888877
Page Count: 400
Publisher: Versify/HarperCollins
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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