by Ibram X. Kendi ; illustrated by Ashley Lukashevsky ‧ RELEASE DATE: June 16, 2020
Antiracism’s starting point.
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This book may be nominally for babies, but its audience is an adult one.
Kendi makes this clear in the first two double-page spreads: “Antiracist Baby is bred, notborn. / Antiracist Baby is raised to make society transform. // Babies are taught to be racist or antiracist—there is no neutrality. / Take these nine steps to make equity a reality.” Although this board book hardly substitutes for How To Be an Antiracist (2019), Kendi’s exploration of the topic for adults, it does serve to remind caregivers that raising an antiracist child is a conscious process. Importantly, points No. 1, “Open your eyes to all skin colors,” and No. 2, “Use your words to talk about race,” aim to correct anxious, usually white caregivers’ tendencies to “deny what’s right in front of you” when their children point out people who look different from them. To these and Kendi’s next seven points, Lukashevsky pairs bold, thickly outlined cartoons of babies and adults of many different skin tones, gender presentations, and body types. A couple of the depicted caregivers have tattoos; one wears the hijab. Several sets of parents can be read as LGBTQ+. The bright colors should keep babies and toddlers engaged while adults work to master the couplets, which do not always scan evenly. Some points are harder than others: “Confess when being racist,” for instance, may require several reads to internalize.
Antiracism’s starting point. (Board book. 6 mos.-3)Pub Date: June 16, 2020
ISBN: 978-0-593-11041-6
Page Count: 24
Publisher: Kokila
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: July 15, 2020
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
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New York Times Bestseller
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Tiffany Jewell ; illustrated by Nicole Miles
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PROFILES
by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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