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THANK YOU, EVERYTHING

A whimsical, enriching, and deeply rewarding adventure in gratitude.

There’s much to be thankful for.

The book’s narrator—rendered in a blueish silhouette—rises and gets dressed before leaving home to follow a treasure map to something special. Along the way, our protagonist expresses thanks for a growing catalog of items and concepts, from individual colors (“Thank you, yellow / thank you, red”) to household items (“Thank you, alarm clock / Thank you, bed”) to ideas such as fear and homecoming to, finally, the colors again. Full-page illustrations highlighting single objects transition into grand, full-spread vistas and busy scenes as the protagonist traverses land, sea, and sky while the seasons pass. Paired with simple text made up of brief “thank you” sentences, the story unfolds through the elegant, textured images. It isn’t always readily apparent how some of the statements correspond to the action depicted; this is a tale that begs readers to linger and wonder about what it means to be grateful. Full comprehension will require a reread, given the sudden yet subtle and purely visual story developments, but the beauty of the artwork makes it well worth the journey. A limited but vivid palette of primary colors simultaneously soothes with its blues and energizes with its red and yellows, creating an aesthetically pleasing, thought-provoking, and engaging experience.

A whimsical, enriching, and deeply rewarding adventure in gratitude. (Picture book. 4-8)

Pub Date: today

ISBN: 9781592704231

Page Count: 176

Publisher: Enchanted Lion Books

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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