An engaging, honest, and beautifully written look at love, loss, and self-realization.
Even when it's anticipated, a death in the family can leave survivors on shaky, unfamiliar ground. At the same time, it can also offer them a heady taste of independence, autonomy, and freedom.
At least that’s the case for the unnamed protagonist of Danish author Jessen's (The Children, 2012, etc.) latest award-winning novel, in which readers are made privy to diary entries, the bulk of them beginning in 1927 when the diarist's husband is in the hospital and continuing after he dies. We get to experience the voyeuristic pleasure of becoming immersed in someone else's grief, self-discovery, and eventual reinvention. Over the course of the entries, facts come to light and elucidate relevant details in the 22-year marriage between Vigand, a remote and humorless doctor who worked in the small, quaint Danish village of Thyregod, and his wife, a former schoolteacher. The diary reveals that its intelligent and spunky author had a financially and socially comfortable existence with her husband, with each party retaining a well-honed sense of self. This allowed them to periodically defy social conventions—for example, the diarist was the first woman to ride a bicycle around town—while simultaneously fitting squarely into the social mores of their time and place. By any estimation, theirs was an intriguing, feminist union. Nevertheless, after Vigand becomes ill and subsequently dies, his wife faces a slew of decisions, not the least of them regarding where to live and what to do with her time. As she envisions different scenarios, various town residents help her unravel the options and ultimately choose a path that ensures a happy ending. Wit and vivid descriptions are presented in equal measure, as issues of sexual desire and the need for both solitude and companionship come to the fore.
An engaging, honest, and beautifully written look at love, loss, and self-realization.Pub Date: March 26, 2019
ISBN: 978-1-939810-17-5
Page Count: 250
Publisher: Archipelago
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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