by Ilan Stavans illustrated by Lalo Alcaraz ‧ RELEASE DATE: June 6, 2014
A history book that wants to be Howard Zinn’s A People’s History of American Empire but comes off more like Larry Gonick’s...
Prolific intellectual Stavans and collaborative artist Alcaraz follow up and expand their first exploration of American culture (Latino USA: A Cartoon History, 2000, etc.) to examine the secret history of the United States of America.
Stavans and Alcaraz offer an opposing view to the sanitized history most of us were taught in elementary school classrooms. As a Mexican-born Jewish immigrant who moved to the United States in the 1980s, Stavans has a passionate response to the erroneousness of American history. “The past is elastic,” he writes. “Its parts shrink and expand depending on who is looking at them and when. Because of this, it’s important to take a contrarian’s viewpoint, to be wary of what the French call idées fixes—lazy unquestioned truths.” From this ambitious beginning, Stavans and Alcaraz track the arc of history, from Christopher Columbus’ unlikely enterprise to find the new world (he didn’t) to the acrimonious relationship between the pilgrims and Native peoples all the way through to our messy, dangerous post-9/11 world. Stavans and Alcaraz examine social movements, pop culture, politics, crime, war and economics, with pithy side comments from the aforementioned peanut gallery. Since it casts its net so wide, it can feel very out of tune from time to time, although Alcaraz’s amusing pen-and-ink style ably captures most of the book’s famous subjects. Stavans and Alcaraz also aren’t afraid to poke a little fun at themselves: “You interject too much out-of-place information! The readers are all confused now,” cracks Alcaraz. Nonetheless, well-read students are unlikely to find too many surprises here. While it makes for an entertaining afternoon, it’s still mostly a surface-level history lesson with a few iconoclastic opinions added in for spice.
A history book that wants to be Howard Zinn’s A People’s History of American Empire but comes off more like Larry Gonick’s The Cartoon History of the United States with more savvy jokes.Pub Date: June 6, 2014
ISBN: 978-0-465-03669-1
Page Count: 272
Publisher: Basic Books
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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